Ditta Rohmann: select discography
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Ditta Rohmann - Solo Cello Portrait
Kodaly: Sonata for Solo Cello, Op. 8 Kurtag: In the Style of a Folksong Ligeti: Sonata for Solo Cello Kurtag: Message-Consolation à Christian Sutter Eötvös: Two Poems to Polly Kurtag: Socrates' Farewell Dukay: The Calvary of the Omnipotence of Faith Kurtag: Janos Pilinsky: Gérard de Nerval Dukay: I Have Seen My Lord with my Heart's Eyes Kurtag: Shadows (for Miklos Perenyi) HUNGAROTON HCD 32810 2018 from the booklet: |
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J.S.Bach Sonatas & Partitas
Sonata in E for violin & clavier, BWV 1016 - arr. for violoncello piccolo & baroque organ Partita in E for solo violin, BWV 1006 - arr. for violoncello piccolo Partita in A minor for solo flute, BWV 1013 - arr. for violoncello piccolo Sonata in A for violin & clavier, BWV 1015 - arr. for violoncello piccolo & baroque organ arrangements by Ditta Rohmann & Laszlo Fassang HUNGAROTON HCD 32796 2018 |
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"Rohmann's playing is a delight to listen to - wonderfully lithe with nuances beautifully shaped." ' Choir and Organ' magazine, London, May 2018
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Ditta & Imre Rohmann
play Bartok, Debussy, De Falla & Ravel BARTOK: Rhapsodies n°s. 1 & 2, Romanian Folk Dances DEBUSSY: Sonata for cello and piano DE FALLA: Seven Spanish Folksongs RAVEL: Sonata for violin and piano n°. 2 (on violoncello piccolo) arrangements by Ditta & Imre Rohmann HUNGAROTON HCD 32793 2017 |
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'masterpiece' rating in 'Gramofon' magazine
'Hungarian classical music recording of the year' winner in 'Gramofon Awards' 2017
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J.S. Bach Cello Suites 2, 4, 6 HUNGAROTON HCD 32732 2014 |
" This ... brings to an end a project that should file Rohmann's two volumes ... on the shelf under 'definitive'. "
Caroline Gill, 'Gramophone' magazine, London, November 2014
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J.S. Bach Cello Suites 1, 3, 5 HUNGAROTON HCD 32731 2014 |
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" These are stylish but unselfconscious interpretations. ... the opening of the Prélude (of Suite N°. 3) flows like quicksiver into the arpeggiated passage, which is exquisitely clear in its articulation. Rohmann surprises and delights by gently stroking the thirds in the first section of the Allemande, then producing lovely subtle staccato in the Courante. ...Having tuned down the top string to C for the C minor suite (N°. 5), Rohmann draws lovely dark tones from her instrument... But she saves the best for last by making the Gigue sing. Longing to hear more! " Julie Anne Sadie, 'Gramophone' 'magazine, London, May 2014
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alternative sources: Hungaroton music store
Europadisc |
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